” It was truly a marvel. But it really wasn’t fair use. As fan fiction, few reach the level of sophistication of the Kahn film. But if that fiction goes against the brand of the art in question, the copyright holder should have the right to have it removed, no matter how annoying or frustrating it might be even to the very fans for which it was made. IMHO, we as artists https://hookupdate.net/escort-index/fort-lauderdale/ should actually be defending that right, not fighting against it (as many people did when Vimeo first took it down).
Ultimately Saban and Shankar/Kahn reached an agreement to reinstate the film if a disclaimer was added. I actually think that’s was pretty generous on the side of Saban. (And based on the dismal performance of their official Power Rangers movie, they may want to look into Kahn doing a feature-length version of his fan movie. One that is more kid-friendly, of course).
The last of the big five areas of fair use scenarios for filmmakers I want to cover is music. Oh boy. This will be fun.
No area of confusion on this issue is perhaps more misunderstood than music. You need look no further than the hundreds (if not thousands) of professionally shot wedding videos edited with copyrighted music. Or the countless epic short films on YouTube with Hans Zimmer or Michael Giacchino “scores.” Many novice filmmakers assume that if a video is “not for commercial purposes” and/or if the music was purchased on iTunes, then that clears them or their conscience. …